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Opal Sculpt
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Diamonds are well renowned for their physical beauty. Their combination of clarity and durability makes them one of the most unique natural elements around. On the jewellery market, diamonds can go for millions, if they are determined to be perfect under the classification of the four C's; Cut, Clarity, Colour and Carat weight. The cut is central to what makes a flawless diamond. A good cut will enhance the diamond's other features, such as clarity, colour and carat weight.
An excellent jeweler will always work with the diamond, in order for to bring out a jewel's clarity and fiery beauty. The cut is integral to the diamond's aesthetics, as a bad cut will make the diamond look coarse and imperfect. A superior jeweller will be able to sculpt the diamond into a shape and size that is fitting to the diamond's unique purity.
Shape is also an important aspect to the cut. Most people have a favourite diamond shape, so if you're buying a diamond for a loved one, it might be best to find out what she prefers first. Some of the favourite shapes are: asscher (rounded square), cushion, emerald (rectangle), heart, marquise (pointed oval), oval, pear (tear drop), princess, (square cut), radiant (slightly rounded square) and round. All of these shapes bring out different aspects of the diamond, according to the diamond's unique nature, and will create a different effect upon the wearer's hand according to the dimensions of the hand.
One of the oldest and most popular cuts is the round diamond. It's a favourite on the market due to its ability to enhance all of the diamond's other properties, such as clarity. Cutting the diamond into this shape is for most jewelers a precise science, as well as an art, as it requires knowledge of the way light behaves and an ability to use mathematical calculations, in order to determine the exact cut.
Most cuts enhance clarity, for instance, the cushion cut have larger facets than any other cut. Large facets, added with the rounded corners of this cut, augment the diamond's clarity and beauty. Cuts that enhance the clarity are the most desirable cuts, as only a good quality diamond is needed over a more costly superior diamond.
Whilst if you're looking for a cut that not only enhances the diamond's carat but the wearer's hand, a marquise cut is the perfect one for you. The marquise cut amplifies the carat size, making it look much heavier than it really is. It also elongates the fingers, creating the effect of long and willowy fingers.
A high quality cut is at the very heart of what makes a perfect diamond. It augments the natural beauty of the stone and the wearer too. It is recommended by jewellery specialists that you purchase diamonds from either well known brands or diamond specialists, as these companies will often provide a higher quality diamond and cut for a better price.
Interested in learning more about diamonds, have a look at 365 diamond, who have a range of diamonds on offer at www.365diamond.com
Necklaces Of The Renaissance Period
The Renaissance began in Italy during the 1300's, it spread to England, France, Germany, the Netherlands, Spain, and other countries during the 1400's and ending in the early 1600's. This movement reached a height in the 1400's and the early 1500's when achievements had become some of the greatest in history.
This movement was considered a rebirth of the ancient works of art, literature, and philosophy. The Europeans studied these three endeavors of ancient Greece and Rome following the great scholars and artists, becoming themselves great in continuing and even advancing these areas.
During the Renaissance jewelers achieved breakthroughs in shop tools, working areas, methods, and advanced techniques. Successful artists came from serving in strict apprenticeships or grew up working with family or close friends in the trade.
Jewelry was in high demand during this period in history. In Florence, Italy there were over forty shops dedicated to producing the finest jewelry the world had yet ever seen. The style before the Renaissance was called Gothic which was thought to have expelled all of the possible works from it and had given in to the new more elaborate style.
During the end of the fifteenth century western Europe had become united in many ways and artists freely traveled about expanding their craft. During this time of international freedom, French, Spanish, Italian, German, and Hungarian jewelers developed their style at an equal pace. This made it difficult sometimes to distinguish from which country the jewelry was made during the Renaissance period.
Italy was considered one of the greatest at the time for many forms of art including jewelry. Throughout Europe Italian jewelers were sought for their advanced techniques and amazing methods for extracting the finest detail.
The technique at the time was very disciplined and defined. The overall piece would often have a central theme with incredible detail and precision. The designs would be incredible stretches of the imagination, ships, galleons, mermaids, mermen, salamanders, sea horses, and cupids would be laced with beautiful diamonds and other precious gems.
Brooches, pendants, and ropes were sculpted from onyx, silver, gold and laced with pearls, opals, and rubies. Necklaces were normally made to end part way around the neck with looped ends and linking done with threading applied to backings in some cases. A necklace with a pendant was called en suite.
Portraits were carved with babies and angels, sculpted with such fine detail as to the point of miraculous. Irregular pearls called baroque would be set in a design that made their unusual shape flow and become a necessary part of the piece. Diamonds were often fashioned into triangular chips embellishing the piece with extraordinary beauty. During this time gems were thought to contain special powers for the body, so these were designed into the piece to touch the skin. Salamanders were said to represent passionate love and cupids were often times given as gifts to enhance a special meeting.
Output of South German and Hungarian mines worked at a fevered pitch to meet the massive demand for gold in this period. The Hungarian mines also produced opals and precious stones which were imported from the Oriental regions. Sea coral was used for carving which came from off the shores of Italy.
In the making of the pieces casting was performed, many times in two or more sections or portions. After casting, various pieces were put into different combinations bringing about different designs.
Opaque white enameling would be done with care as to not completely cover all the metal. Carefully applying enamel to recessed areas with deep cuts or cells of metal then sanding the metal down to the level of the enamel was called champleve'.
Adhesive used for precious gems was black wax. The wax was used if metal drawn over or embracing the precious stone detracted from the overall design of what the artist envisioned.
There were a few methods used for making tiny sculptures. Some of these included wax modeling which was accomplished then careful casting of the tiny art piece then melting out the wax. Small sheet metal shaping and pressing was also done if the piece required it. Rings were the most popular, then pendants, and then necklaces. Pendants were worn by men, women, and children. Men and children wore them around the neck. Women wore them around the neck or pinned or tied with ribbon on the dress or sleeve. The jewelry of the Renaissance with all of its passion and romance continues on as talented artists embrace and study this great period. Keeping it still yet alive with their own masterpieces influenced by this era of artistic achievement.
About the Author
Fine Jewelry: http://www.the-info-island.com/fine-jewelry.html Written by Glenn Heitkoetter
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