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Modernist Lithograph
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 japanese modernist lithograph, pencil signed,  US $40.00
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 n. sato modernist lithograph, japan mid 20c US $110.00
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 chinese modernist lithograph, signed untranslated US $140.00
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For the past two decades, Victor Lysakov's modern expressionistic art could only be found at international exhibitions, in private collections or inside his own painting studio in Moscow, Russia. The renowned artist holds a vault containing hundreds of masterpieces. For the first time ever, 40 of these prolific pieces have been released to the American public.
Art enthusiasts living in or traveling to California, a side trip to the first exclusive Lysakov gallery in Pacific Grove is a worthwhile detour. For those outside California, never fear - your local fine art gallery may soon display Lysakov's art on their walls. A distinct group of hand-selected galleries nationwide have been offered the Lysakov Distributor opportunity; your neighborhood gallery might be one of them.
Named one of "The Best European Artists," Lysakov has participated in several prestigious exhibitions and auctions in Russia, Poland, Germany, Sweden, Austria, France and Italy. Using oil or acrylic on canvas, Lysakov prefers brilliant, unmistakable hues - his color palette is very distinct. Each painting is its own unique creation and exudes a certain depth. New or seasoned, trusting or suspicious, frightened or fearless, the artist challenges you to grow bored with his paintings.
The local mayor, savvy art collectors and local design firms have unanimously agreed that Lysakov's art rivals paintings found in upscale metropolitan art galleries in San Francisco and New York. In what the company considers a groundbreaking revolution in modern art, Lysakov's work is not entirely subjective. A captivating story accompanies each image, giving the viewer riveting insight on the artist's muse.
At first glance, the modern expressionistic work of Victor Lysakov might invoke an unexpected reaction - curiosity, mystery and even fear. But after closer inspection, the eccentric becomes extraordinary and the weird, wonderful. Lysakov challenges the viewer to conquer their fear - paintings should not be scary. "They merely depict life," he says. "Sometimes the scariest things in life are the most trivial ones."
He began experimenting first with watercolor, but now paints almost exclusively with oil or acrylic on canvas. Though never classically trained, Lysakov studied Rembrandt's and Bryullov's techniques. A self-taught artist, he read books incessantly, and spent hours upon hours in museums.
Born in Siberia in 1952, Lysakov discovered his artistic talent at a young age. "It was when I was six years old that I realized, for the first time, that the most natural and the most fitting way for me to carry on a conversation with the world was through the visual language."
In early adulthood, Lysakov veered off the creative path and focused on a more traditional education - engineering. In 1975, he earned his MS in Physical Chemistry from Moscow State Institute of Steel and Alloys. In the decade following, he established a successful career in various military machine building plants. At one time, he was even accountable for over 700 employees under his command. In 1984, he attained his Ph. D. in Technical Sciences from Lomonosov State Institute of Fine Chemical Technology in Moscow.
Lysakov's paintings range in image size from a humble 14x14 to a majestic 58x50. All are offered at an extremely low edition size of 395 Signed and Numbered (S/N) and 30 Artist Proofs (A/P) giclée canvas prints.
Giclée (pronounced zhee-clay) is a French term roughly meaning "spray or squirt" which refers to the digital printing process. During printing, millions of microscopic droplets of ink per second are applied to the print media. A giclée is a high-end fine art print often recognized as the next best thing to owning the original.
Artists at all levels and in a wide variety of media are creating prints using giclée technology. Buyers, attracted by the high quality and dynamic reproduction of giclées, have triggered a giclée explosion; while the fine art print market increases by about three percent annually, the giclée market is growing at more than 60 percent annually. In a $2.8 billion print market dominated by lithographs and serigraphs, giclées now total $160 million annually - and growing. According to CAP Ventures, digital fine art is expected to reach a retail value of $600 million by 2007.
Lysakov Art Company, Inc. is located at 305 Forest Avenue in charming Pacific Grove, California, in the heart of one of the nation's art capitals: the Monterey Peninsula. On-site, the 4000 square foot facility houses the corporate offices, publishing headquarters and the first-ever exclusive Victor Lysakov Gallery.
Heather Neal is the VP of Sales and Marketing for Lysakov Art Company, Inc., the exclusive publisher for renowned Russian artist Victor Lysakov. Her previous career was as owner of Executive Details, a consulting firm that provided business writing and marketing assistance. She also worked six years at the Thomas Kinkade Company world headquarters as Director of Sales Operations. Ms. Neal attained her BS degree in Journalism from California Polytechnic State University in San Luis Obispo, California.
For more information on artist Victor Lysakov, please visit: http://www.lysakovartcompany.com
Early Australian Art
The art of any culture is what helps to identify that nation as unique. Some of the first early Australian art works were done of Australian animals and flowers by those who came here on the first fleet – Joseph Banks and Sydney Parkinson. Paintings were not the only contributions; sculpture, engravings, lithographs and even architecture are included in the impressive line-up.
Of course, before they every arrived the indigenous peoples had their own art forms that they used to decorate bark, rocks and the walls of caves and indeed, their own bodies. Their art included sculpture and etching, weaving and string art.
The first-fleet artists were not even of Australian descent, but portrayed faithfully not only the flora and fauna of Australia, but the times and life that they experienced both upon arrival and afterwards. Amazingly enough, even though Australia was colonised primarily as a place to dump convicts from Britain, many artists did make their way to the new country. Some like John Eyre, came as convicts, but many others such as John Glover came as free settlers. And they all brought with them the styles of painting and art that were prevalent in Europe in their day – that is, realism.
The works of Australian artists have progressed through this early colonial stage to landscape, modernist and then contemporary. Out of these four it is the landscape era that is unique to modern Australian art. Australian artists tried hard to capture the difference of the Australian ambience to that of Europe, though some did try to paint Australian landscapes with the softer European light to better please the European artistic eye.
John Glover is credited with being the father of the Australian landscape painting era. He was already a successful artist in Europe and he retired to Tasmania where he started painting again and captured the Australian countryside so beautifully that he became twice famous.
About the Author
Thomas Dabila is an Art Collector and also an Artist associated with the field for more than 35 years.
San Francisco Museum of Modern Art Showcases Works by Paul Klee
Paul Klee, Die Heilige vom innern Licht (The Saint of Inner Light), 1921; color lithograph; Collection SFMOMA, gift of the Djerassi Art Trust; © Artists Rights Society (ARS)/VG Bild-Kunst, Bonn.
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