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Large Remarkable Chinese
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This recipe makes a large pot of a rich and tasty potato soup that is especially satisfying on a cold winter day. It is an inexpensive and nutritious treat for the whole family.
Serves 8 to 12.
Ingredients:
6 to 8 large red potatoes
3 quarts whole milk
1 clove of garlic
6 green onions or a bunch of chives
2 packs of bacon
1 quart whipping cream
Salt and pepper
Utensils:
A 5 quart (or larger) soup pot
Skillet
Large spoon
Wash and dice the potatoes, leaving the skin intact. Place the washed potatoes in the pot and pour the milk over them, making sure that the mixture fills about 3/4 of the pot. Add more milk if necessary.
Warm the milk on low heat for about 10 minutes, stirring occasionally so the milk doesn't burn.
Peel and crush the garlic and add it to the pot.
Chop the green onions or chives into fine chunks and add them to the pot.
Turn the heat up to medium. Stir occasionally.
Lay the bacon flat in a skillet. Cook the bacon at a medium heat, turning each slices to ensure that both sides are cooked evenly. When the bacon is crisp, remove it from the skillet and place each slice on a bacon rack or paper towel to allow the bacon grease to drain. Pat gently with a paper towel to remove the bacon grease from the top of the bacon. When the bacon is dry, crush the it in small pieces and add them to the pot.
Add the whipping cream and stir. Add salt and pepper to taste. Cook on medium about 20 minutes. From time to time, poke a piece of potato with a fork until they are tender to your liking.
Tips
When cutting up your potatoes, cut them long ways in slices the width of a large French fry, then dice the fries up. Be sure that the potatoes fill about a third of the pot. If you want more potatoes you will need to use less milk.
Regular bacon is best for potato soup. However, if you want the soup to be a little sweeter, you can use a maple or honey flavored bacon. You can also substitute diced ham if you don't care for bacon. Try to avoid fatty bacon.
A dash of paprika or red pepper will give the soup some extra zest.
If you like a cheesy potato soup, add a cup of your favorite grated cheese when you add the whipping cream.
Make sure that the potato soup doesn't come to a boil.
Serving Suggestions
An excellent way to serve potato soup is to hollow out a large sourdough round bread, scoop the soup into its hollow, and cover the soup with shredded cheese. Place the bread bowl on a cookie sheet. Slice or tear the rest of the bread and place it around the bowl. Sprinkle it with shredded cheese. Heat in a 350 degree oven until the bread is lightly brown.
Serve the soup with side bowls of fresh chopped chives, crumbled bacon, and grated cheese.
You can find another article about how to make potato soup at our how to guides site here.
There are few dishes Ray T. Lewis would prefer to eat than potato soup. It's not potato soup unless it's accompanied by a nice baloney sandwich though.
About Li Qing – a Chinese Artist
Li Qing was born on 1981 in Huzhou, Zhejiang province, China. He is a graduate student at China Academy of Art and one of the representatives of this new generation. Over the last few years his art has been included many important exhibitions and rewarded several grants and awards, due to his excellence of performance - the mastery of refined and personal technique, the wide social concerns, and the appropriate representation. Executed in the very traditional medium of oil on canvas, the generally mid-size paintings are usually paired pictures.
In Li Qing’s work juxtaposition usually occurs between two similar subject matters or scenes but in difference chronologically. The tension or relation between the two is usually the resource of concept of the work. In China’s art scene the juxtaposition of old and new, which reflects the remarkable social transition taking place over the last three decades, was/is popular. As the method exactly reflects the current identity of Chinese people who are surrounded by consistent remarkable transitions in a territory where old and new are mixed. The pairs of picture are seemingly the successive snapshots capturing the two moments of a seemingly consecutive event, a body, a face, a place, an object, or a person. There is very little difference between the two pictures at first sight, and there are several minor distinctions between two upon a careful scrutiny.
Li Qing is making a simple and easily accessible visual world where audience may exchange idea and share a common feeling. Many of the prototypes of contemporary Chinese art were heavy in their subject matter in order to express artists’ negative attitude towards the current corruptive system. Li Qing successfully presents a magic pictorial series of contemporary Chinese art. Simultaneously, psychological complexity toward the remarkable social transitions of China is easily understood. His art is a visual game but entwined with social information that reflects the vicissitudes of the society. The subject matter is ordinary, and unnoticed, some are like news photo for a propaganda purpose. He presents a picture that combine with images and reality. Grand rhetoric and heavy theme are non-exist. Li Qing is more interested with an ordinary scene that affects our perception to the world. Li Qing is a great practitioner of oil painter. With his bold brush stroke, exact impasto, and, he smartly turns the visual games and subject matter into his own painterly game, a pictorial world that reflects changing reality.
Selected EXHIBITIONS:
2006
• See the luck when raise head, Hangzhou 2006 Contemporary Art Exhibition, Hangzhou, China See the luck when open the door, Wuxi Contemporary Art Exhibition tour, Wuxi, China
• Body on the Site, The Third Beijing International Gallery Exposition,Beijing, China
• Tu Hongtao, Li Qing two persons' show, Line Gallery, Yan Huang Museum,Beijing,china
• 10+10, Shanghai Zendai Museum of Modern Art, Shanghai, China Chinese contemporary Paintings, Nanjing Square Gallery of Contemporary Art, Nanjing, China.
2005
• Double reading photography exhibition, Hangzhou, China
• Let some ideas be seen, Modern art gallery of Art Academy of Hangzhou Teachers University, Hangzhou, China
• The spring of Vizcaya exhibition of paintings and sculptures of Chinese and French artists, Shanghai, China
• Archaeology of the Future, the second triennial of Chinese art, Nanjing Museum, Nanjing, China
• Rule-Possible young artists exhibition, Zhejiang exhibition centre,Hangzhhou, China
• First China Green Exhibition Exploration, Ag-Art Loft, Hangzhou,China Young Chinese Contemporary Art, Hangar-7, Salzburg, Austria
• 2005 Zhejiang Oil-painting exhibition & awarded the Gold Prize, Ningbo Art Museum, Ningbo, China
• It's true, The Artistic Island, Beijing, China
2004
• Concrete, Hangzhou, China
• Art Shanghai 2004-Exhibition of works of young artists in China Academy of Art, International exhibition centre, Shanghai, China
• Layer after layer contemporary painting in Shanghai in Zhejiang art exhibition, Zhejiang exhibition centre, Hangzhou, China
2002
• Do we need to rebuild a Leifeng Tower? China Academy of Art, Hangzhou, China
Awarded Wu Fuzhi Prize
Conclusions:
Li Qing is among those group younger artists. Their emergence in the art scene will be symbolic to Chinese art world and the entire society at large. For the artist his visual game is perhaps a play of pigment and stroke, but his audience there is something significant behind the game.
What to Do Next...
If you want any information about Li Qing or looking for his paintings please visit us on http://www.saatchi-gallery.co.uk/artists/li_qing.htm
About the Author
View Li Qing paintings, biography, solo exhibitions, group exhibitions and resource of Li Qing artist.View art online at The Saatchi Gallery - London contemporary art gallery. Li Qing
What belief did the Chinese government promote in the late nineteenth century?
What belief did the Chinese government promote in the late nineteenth century?
The Chinese were especially susceptible to Western influence because they needed Western guidance to modernize and industrialize
The Chinese had contributed remarkable achievements, inventions, and innovations to the world over thousands of years and had no reason to imitate foreigners
The Chinese were capable of taking over the world because they had a strong culture, a large population, and the will to do so
Other governments would be seeking their advice about modernization and industrialization because they had been so successful.
This is not my home work this is test prep plz. help thanks
I think that you have made a mistake. You sound like you are talking about another country, and not China. Maybe America?
China was not susceptible to Western influence, China was under direct military occupation by the British, Japanese, French and people from several other countries. China wanted them all to go away, but they had better weapons, and they got many Chinese people addicted to opium so it was hard for China to get rid of them.
China was not capable of taking over the world as China had a very small army, and no navy worth thinking about. It could not defend itself from attack, let along attack other people. This was because China did not want to fight wars, and because many of the Chinese people were poor farmers. This is still true today, China is a very peaceful country. It does not want to invade other countries or to kill people.
The Chinese government did not promote any belief during the late 18th century. It was not the policy of the Chinese government to promote religion. Though many Chinese in and out of the government were Buddhist.
If the government can be said to promote anything it was Confucianism and legalism.
Holy Horology
Everything began by a ‘mass’ or ‘service’ on Tuesday April 10, the day before the opening of BaselWorld. At the end of the day, a small el-egant crowd gathered at the Elizabethan Kirche in Basel, squeezing together on the church benches under the high and colourful stained glass windows.
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