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Lacquer Wood
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 EMILIANO ZAPATA CUSTOM LACQUERED WOOD FRAME  US $39.99
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The evolution of Vietnamese art is a relatively modern event in history. From its inception in 1925, and up till 1945, the epoch of the history of Vietnamese painting coincides with the history of the Fine Arts College of Indochina (FACI), which is the cradle of the huge wave of revolution in the field of Vietnamese art. It were the pioneering works of Victor Tardieu (1870-1937) and Josheph Inguimberty (1896-1971) that led to the flowering of the new tradition called the Vietnamese art.
A genius in oil paintings, Victor Tardieu had a keen knowledge of Oriental art. His paintings were simple yet tasteful, reflecting a sense of space. While some of the later Vietnam artists like Le Pho, Mai Trung Thu, Vu Cao Dam, Le Thi Luu were influenced by Tardieu; Ngoc Van, Nguyen Gia Tri, Tran Van Can, Luu Van Sin devoted themselves to Inguimberty. Prior to the establishment of he FACI, the Vietnamese art was not heading to any particular direction. It was the foundation of this institution that taught the future artists the conception of the Beautiful. Within a brief period of twenty years, Vietnamese painters were on the lookout for a model in ancient or modern times, in West or East. In no time were they familiar with all the growing trends in the history of modern art and literature. Be it fauvism, cubism, abstractionism, surrealism, expressionism, symbolism, or futurism, Vietnamese art began absorbing all the characteristics of these major modern trends.
The Vietnam Revolution contributed much to the growth of Vietnamese art. The contemporary Vietnam artists stood for the cause of the revolution (1945), and voiced their grievances through works of art. A movement among the artists to support the Viet Minh gained ground in Hanoi with uncommon speed. The national exhibition solemnly organized at the Municipal Theater of Hanoi in August 1946 gathered the works of various genres by the patriotic artists of Vietnam: oil painting, pumice lacquer, gouache, water color, wood cutting, most of them treating subjects relating to the struggle of Vietnam for a new life. In 1948, after three years of war, the second national exhibition of fine arts was organized in a forest of palm trees (Xuan Ang village, Phu Tho province) with about 100 pictures, including silks, wood engravings, and propaganda drawings. The Third Exhibition was organized in Chiem Hoa, on the occasion of the anniversary of the day of national resistance.
The Vietnamese painters offered their support whole-heartedly for nine years against their enemy. With revolutionary optimism and confidence as their spurs, the Vietnam artists flew high on their quest for freedom and were ultimately victorious in directing their art to the service of their fatherland.
With the success of the revolution in 1954, the 5th National Exhibition of Fine Arts was organized at the municipal theatre of Hanoi. This also provided an opportunity to review the artistic works of those who had expressed their feelings in canvas during the resistance war. The loss of To Ngoc Van, during the revolution, was too great for the Vietnamese painting to compensate. The Fine Arts College of Vietnam experienced a change in authority under Tran Van Can. After 1975, the National Fine Arts College of Saigon merged with the National Decorative Arts School of Gia Dinh to become the Fine Arts College of Ho Chi Minh City, now the Fine Arts University of Ho Chi Minh City.
After the phase of upheaval in the history of Vietnamese art, there have been some brilliant efforts of revival in recent times. A new breed of modern Vietnam artists have started embracing new themes centered on man in different situations. A good amount of credit also goes to the French and Italian painters who have inspired these artists to draw inspiration from the daily humdrum of human life. Vietnamese art has thus marched forward towards a progressive realism and has allowed the spectators to identity the work of art with their lives.
Suzanne Macguire is an Internet marketing professional with expertise in content development and technical writing in a variety of industries. Vietnamese Art Gallery
Treasures In The Wood Works
Woodcraft has played its part in making the Indian handicraft fortune wealthier and inspite of many environment prevention issues the prospect of the hand crafted furniture sector in India seems positive.
The wood history Woodcarving is an art and India has been a traditional producer of woodcarvings furniture for ages. Production of woodcarving is developed on a commercial scale, which is carried out by many Indian artisans from generation to generation. India has abundant collection of woodcarved furniture, out of which some has been explored and a lot remains to be discovered. It has a rich old heritage to crown it's head which is believed to be the oldest heritage of the world. This has been adored and preserved by the Indians since time immemorial. The exquisite furniture range comes in various styles with varying designs, finishes, colors, shapes etc. The designs and the carvings may be etched on the back or front, which gives a remarkable and pleasing appearance. The use of high quality wood enhances the overall functional value and visual appeal of furniture. In the beginning, shisham was the only wood used by handicraftsmen. Thereafter some ingenious craftsmen experimented with teakwood from Nepal and Assam, ebonite from Assam and rosewood from the South. Struggle for survival forced the wood carving industry to pass through many critical phases. Changing scenario of industry turned the craftsmen to many other varieties of woods. Besides traditional shisham, wood craftsmen have now been using many other varieties of wood depending upon the suitability of texture, colour, grains of wood for particular job. For deep under-cutting and sculptural effect teak, rosewood and walnut are preferred. For low relief, shisham and deodar is used and for incised design ebony are considered. Rohira, sal, babul, etc are coarse grained and hard wood used for bold work. Haldu and dudhi are used for special polychromatic effects. Other most common species of wood being used by the craftsmen these days are mango wood, tun wood, neem wood, sal wood, jamun wood, rohira etc.
The opulent Indian Wooden Furniture Treasure Chest
Woodcarving industry is spreaded in majority parts of the country with some of it's main parts including Rajasthan, Karnataka, Uttar Pradesh, Madhya Pradesh and more. Woodcraft of Saharanpur is famous all over the world for its elegance and beauty. Saharanpur is known for vine-leaf patterns on Sheesham wood. Floral, geometric and figurative carving is also done here with wood inlay work. Woodworks industry in the North Eastern region is scattered and the production is confined to a few items only in a few states. Gujarat has a rich culture for such carving and in addition to small chairs and tables, the swing, without which no traditional home is complete, is made. Wood inlay, which developed and flourished during the Mughal rule, is done with bits of ivory, plastic, horn, metal pieces or other types of wood into carved surfaces of wooden items. This kind is found in various parts of the country such as Gujarat, Rajasthan, Uttar Pradesh and Delhi. Designs of Uttar Pradesh such as the fretwork, jali or the anguri work are also very popular. The wood carvers of Madhya Pradesh, with great sensitivity and skill transform different varieties of wood such as shish, teak, dhudi, sal and kikar into works of art. Madhya Pradesh is famous for painted and lacquered wood product such as toys, boxes, bedposts, cradles posts, flower vases etc. Kashmir is the only state in India, where Walnut trees and Fine Deodar wood are found. The craftsmen here create intricate carvings on wood obtained from the walnut tree which is used to make furniture items like tables, chairs, stools, partitions, trays, book stands, wall decorations, fruit bowls etc that have rich floral and trellis patterns carved on them. Rajasthan has its own unique wood tradition, Barmer is well known for carved furniture. Some furniture pieces in Barmer like tables, low stools etc has miniature paintings on them. Carved wood items such as cabinets, screens, chairs, tables, almirahs, racks etc are also highly decorated over here. Also each region of Woodcraft in Punjab is into making carved legs of beds and manjis and boxes. Gwalior, Sheopur-Kalan, Rewa and Budhni are main centers of wood lacquering. Uttar Pradesh has many craft centers engaged in making different items out of wood. Mainpuri is famous for woodwork on ebony or black sheesham inlaid with brass wire. Banaras is known for lacquered toys and miniature utensils for children to play with.
India is the second largest supplier of bamboo and West Bengal is known for its creativity and artisans of the State specialized in creating everyday and fancy articles from bamboo and cane. Cane and Bamboo occupy a distinctive place in the life of Tripura too. Furniture made of cane, Baskets knitted out of cane and bamboo strips are some of the well-known craft produce from the Tripura, which are always on demand. Karnataka, Kerala and Tamil Nadu too, have their distinct wood carving traditions. Karnataka is famous for carvings and decorative pieces made from sandalwood. Sandalwood items like, boxes, trays, key chains, small figurines are not only carved tastefully but they also give out subtle smell of sandal. West Bengal and Kerala are known for items made from the wood obtained from coconut tree. Great prospects for Indian wooden furniture in the foreign markets The Indian furniture industry is a non- organised sector with the production of Handicraft accounting to around 85%. The furniture industry is estimated to provide employment to around 300,000 workers in India. As a rural and cottage industry, it provides employment to lakhs of people from the weaker sections of society. The skill of the wood workers of India is not only restricted to domestic use but has gain immense popularity in the foreign export markets. The industry has extended to the fashioning of panels, cabinets, doors, windows, temples and furniture. The taste of the people are moving more towards the antique kind of furniture and a variety of experiments are been carried out with designs by the Indian artisans to cleverly blend the traditional and modern woodcraft items suiting today's decor. Exquisite designs, attractive colours, unmatched workmanship and subtle elegance are the distinguishing features, which have put Indian hand crafted furniture on world map.
Steadily climbing the popularity chart the market potential for furniture has reached approximately to US" 240,007.40 million in 2005. This sector has more potential for earning substantial foreign exchange. Low capital investments, higher value addition and highly labour intensive are highlights that make the sector significant for the country's economy. These items found good market in Central European countries, United States of America, England, Russia and UAE. Japan, Sri Lanka and Myanmar has also emerged as new consumers for the country.
Central and State governments have been paying extraordinary attention to ensure high growth rate and development of this industry. They are also proving funds to many small businesses to help them flourish in the market. Also the Indian government is continuously taking steps to minimize entry-exit barriers for foreign companies. Liberal policies for foreign equity participation and foreign direct investments have given a further boost to the sector. Woodcraft has played its part in making the Indian handicraft fortune wealthier and inspite of many environment prevention issues the prospect of the hand crafted furniture sector in India seems positive. India presents a favourable outlook to sell this kind of furniture and one expects this sector to grow further in the coming years.
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How to Sand hardwood to get best lacquer/gloss result?
i need to lacquer/gloss (spray) some hard wood, what grit sandpaper to start and finish with to get the shiniest and smoothest result. And do i sand in between coats?
Sand WITH THE GRAIN - not against it. Go from rougher to lighter grades of sandpaper gradually.
Lightly moisten (don't drench) your sanding surfaces with bottled drinking water (distilled) where pitting occurrs - and let it dry out before sanding to allow the pitted area to swell up to where you can level it out. Make sure that after you sand - your surface is not too rough, nor too smooth to the point of being "glassy". Your sanded surface should be silky, but you should be able to feel the grain with your fingertips. This should help to discourage drips and runs. Make sure that you wipe the surface clean with a dry, lint free cloth - or blow it off with a compressor or "canned air" before glossing / laquering.
Grits depend really upon wood type - and how knarled up it is. For general woodworking purposes you should go from 100 to 600 grit paper. 100 is course - and anything below 100 is more for shaping wood than for putting a finish on it. You want to move from courser to finer - so you will use a 100 grit gradually stepping it up to a 600 grit - actually moving up to a 400 grit might be plenty enough since 600 grit is a VERY fine grit paper.
Sanding in between coats is only really necessary in order to "smooth out" the finish - i.e., get rid of things like mild running drips, bubbling, fingerprints in the gloss that were formed when the finish was handled while still tacky, warping in the finish, sagging, etc. - It's really done to "even out" the finish, not to make the final coat any shinier (although some folks who are chronic "wet sanders" will swear to the opposite).
For "wet sanding" - i.e. sanding between coats, you want to use an EXTREMELY fine grade paper
like 600 to 1200 grit. Even then - SAND GENTLY, and make sure that the surface that you are sanding is COMPLETELY CURED AND IS AS DRY AS A DESERT!!! You should wipe the area with a cheese cloth or a dry sponge after each sanding session.
Hope this was helpful.
Pendergardens' show apartment
Pendergardens recently launched its latest showflat in Block 15. R Living, of Mrieħel bypass in Qormi, is the sole furniture supplier, while interior design was in the hands of Greta Apap Bologna, of Greta Design.
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