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Japanese Ukiyoe Book
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 JAPANESE BOOK,UKIYO-E,ABROAD,PAUL JACOULET,HELEN HYDE  US $260.00
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 JAPANESE BOOK,TATTOO UKIYO-E,KUNIYOSHI,WOODBLOCK,SCARCE US $260.00
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Born in 1756, Chobunsai Eishi was the eldest son of the Chancellor of the Exchequer of Edo. Unlike other 'Ukiyo-e' artists who belonged to the merchant class, Eishi belonged to the Fujwara clan of the Samurai class. Due to his father's influence and position in the society, he received his primary training in arts at the Kano-school from Eisenin Michinobu, a government employee of Edo and an arts teacher. Eishi worked for several years as a household official and court painter for a Shogun (Tokugawa leharu), on a monthly stipend of 500 koku. The Shogun christened the artist as "Chobunsai Eishi," which means, "he glorifies."
By 1786, Eishi's ardent fascination for plebian Ukiyo-e style found him a place at the Torii school, as a student of Bunryusai. He introduced his first Ukiyoe work in "Kibyoshi" (a picture book). The full-length prints of women in elegant forms, characterized the artist's creations. However, Eishi's Ukiyo-e women appeared quiet, motionless, and expressionless, which was believed as his influence of the image of ideal Samurai women. A few of the Chobunsai's works of Ukiyo-e women are "Women in Boats near the Mimeguri Shrine on the Sumida River" (1790), "Two women on a Balcony"(1790-1793), "Women beside a stream chasing Fireflies" and "Poetess in a Carriage."
By the time he was forty, Eishi started elongating the faces of the Ukiyoe women, until they were one-twelfth the height of the rest of the figure. This facial transition was not appreciated. This criticism put a stop to his obsession with printmaking and stirred him towards creating scrolls and alcove painting, depicting the images of courtesans and the city life for the affluent. Empress Gosakuramachi was one of his buyers for his work titled "Sumidagawa Landscape." This indeed was an extraordinary honor for an Ukiyo-e artist. Highly skilled and talented Chobunsai Eishi's paintings were shown to the imperial community.
For quite a long span, Eishi's work was highly influenced by Torii Kiyonaga, Katsukawa Shunsho, Kitagawa Utamaro, and Kubo Shunman. It was by only 1792 or 1793 that he began with his originality. By this time, his works reflected erotic pictures & prints based on Japanese themes and Chinese mythology. The artist also used techniques from the kno-ha for his hand-drawings. Eishi's magnum opus is "Six Selected Beauties of the Green Houses," where he has individually compared the beauty of six courtesans from the Yoshiwara brothels to a flower. It is a landmark piece of work of the early nineteenth century.
Annette Labedzki received her BFA at the Emily Carr College of Art and Design in Vancouver, B.C. Canada. She has more than 25 years experience. She is the founder and developer of an online art gallery featuring original art from all over the world. It is a great site for art collectors to buy original art. Is is also a venue for artists to display and sell their art . Artists can join for free and their image upload is unlimited. Please visit the website at http://www.Labedzki-Art.com
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Forbidden Images Of Homosexual And Lesbian Sex In Shunga
Shunga, literally "Images of Spring", is the generic term used to describe erotic prints, books, scrolls and paintings of Japan.
Prudery
Only recently (1990s) the study of shunga images depicting homosexual (male-male sex) and lesbian (female-female sex) acts of love have been commenced. This belated research of this "hidden domain" was caused by the official censorship in Japan and also because of the unease and prudery concerning the specific subject-matter in the past.
Male-male
Homosexuality, in Japanese called nansoku meaning 'male love', was not an uncommon phenomenon during the Edo (today's Tokyo) period in Japan. In the early years of the Tokugawa regime (early 17th century) men greatly outnumbered women in Edo. There were very strict rules imposed by the government inspired by the loyal standards of Confucianism which excluded women to participate in any kind of work with the exception of household tasks. These regulations and the shortage of women can be seen as deciding factors for the huge amount of homosexual activities. The most characteristic feature of the depictions in shunga of male-male sex is the relation between the two involved "lovers". The leading and dominant male with his shaven head is always the older one, this on the basis of seniority or higher social status, while the subjected passive partner was a pre-pubescent or pubescent boy or a young man depicted with a unshaven forelock. These young boys are often shown in female cloths and therefore easily mistaken for girls. They served as pages to high ranking samurai's, monks, wealthy merchants or older servants and were most desired during their adolesence especially between the age of 15 and 17 years when the anus was still without hair. There are also several shunga designs on the theme of threesome sex depicting one man (always a young male) in the midst of sexual intercourse with a female partner while being taken from behind by an intruder. In most shunga images representing man/youth anal intercourse, the genitalia of the young man are often concealed focusing the attention of the viewer on the garment and elegant lines of the body.
Female Secrets
While there was a Japanese term for male-male (nanshoku) and male-female sex, joshoku or nyoshoku meaning 'female love', there was no such word to describe female-female sex or lesbianism. Most of the shunga's I have come accross as a dealer in the past 15 years regarding explicitly female concentrated designs (approx. 20 various designs!) depicted either isolated women masturbating using her fingers or a harigata (artificial phallus) or two intimate women using this same sexual device. Hokusai (1760-1849), the most famous Ukiyo-e master designed two lesbian ehon (book) prints including one with two awabi (abalone) divers using a sea cucumber. Up to now the only shunga featuring this subject that has been described in literature is Eiri's famous design from his oban sized series Models of Calligraphy' (Fumi no kiyogaki) published in 1801. In their book 'Shunga, the Art of Love in Japan' (1975) Tom and Mary Evans make an interesting comparison with Eiri's (they attribute it to Eisho) shunga design and the paintings of the influential post-impressionist Henri de Toulouse-Lautrec:
"Whereas Toulouse-Lautrec concentrated on the emotional bond between the girls, and the sad emptiness of the way of life which thrust them into each other's arms, Eisho (Eiri) was concerned with the physical details of their relationship. And while even such an open-minded artist as Lautrec felt that such details were more than could be reasonably presented to his public, for the Japanese they were the central feature of the design". (Evans - 'Shunga, the Art of Love in Japan')
It must be emphasized that these images of lesbianism in shunga were the result of male fantasies, designed by men and intended for a male audience.
Profound View
Notwithstanding the embarassment the Japanese at first felt for the representation of these suppressed themes within the shunga genre it's exactly these particular images that provide a profound view into the cultural and historical background of their country during the Edo period.
Recommended Literature
'Shunga, the Art of Love in Japan' (1975) - Tom and Mary Evans
'Sex and the Floating World' (1999) - Timon Screech
'Japanese Erotic Prints' (2002) - Inge Klompmakers
'Japanese Erotic Fantasies' (2005) - C. Uhlenbeck and M. Winkel
Important Shunga Artists
Hishikawa Moronobu (? -1694)
Suzuki Harunobu (c.1725-1770)
Isoda Koryusai (1735-90)
Chokyosai Eiri (act. c.1789-1801)
Kitagawa Utamaro (1753 -1806)
Torii Kiyonaga (1752-1815)
Katsukawa Shuncho (act. c.1780s-early 1800s)
Katsushika Hokusai (1760-1849)
Yanagawa Shigenobu (1787-1833)
Keisai Eisen (1790-1848)
Kikugawa Eizan (1787-1867)
Utagawa Kuniyoshi (1797-1861)
Utagawa Kunisada (1786-1865)
Kawanabe Kyosai (1831-89)
About the Author
We have a website called AK-Antiek and offer a large and varied collection of antique, jewelry and art. We are specialized in classic and modern jewelry, Japanese woodblock prints: http://www.akantiek.nl/shun5.htm , netsuke, inro, cameo, antique coins, modern art and antique watches. On the following page you can check out an original harigata (the 5th picture!): http://www.akantiek.nl/shun7.htm . The website address is: http://www.akantiek.nl/shun6.htm .
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