Chinese Silver Inlay

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Vietnam art is one among the many art traditions, which has absorbed multiple influences without sacrificing its uniqueness. The history of Vietnamese art and painting narrates an elaborate tale of influences, especially the Chinese and French of the colonial period. Surviving these influences, Vietnamese art has emerged from dormancy and is once again seeing the limelight, especially in France and other European countries. Vietnamese paintings in lacquer have played a major role in the sustenance of the entire tradition of Vietnamese art and paintings.

Vietnamese lacquer art works date back to more than two thousand years. Lacquered items found in ancient tombs in Vietnam, date as far back as the third and fourth centuries B.C. The first instances of lacquer work in Vietnam were found in household items and wares such as the links in the planks of fishermen's boats, peasant household basket ware and wickerwork, sumptuous gilded objects, mother-of-pearl inlay work in furniture and so on. Later the traditional lacquer technique was applied to paintings, thus creating a new genre of art. Initially, these lacquer paintings portrayed the scenic beauty of nature but with the changing socio-political scenario, socialist and communist overtones overshadowed every other theme. However, during 1980's and 1990's, the younger generation of Vietnamese artists rejuvenated the old art form, along with introducing some innovative experiments.

Currently, lacquer art works are produced in large numbers in Vietnam, particularly in the Phu Tho Province. The entire process requires careful attention and patience. In the Phu Tho Province, resins are harvested from the Rhus Succedanea Tree and converted into natural lacquer, which is then applied to paintings and fine art. The traditional process of lacquer painting requires a minimum of 75 days and is quite complex. Lacquer paintings are done on wood and any imperfections on it are first sealed with lacquer. Traditionally, lacquer comes in three colors- brown, black and vermilion. Artists also use a new technique called chiseling, which gives a richer mix of colors and an apparent sense of size and distance. Next, the wood is covered with a piece of cloth glued to it, using the sap of the lacquer tree and then coated with a layer of the sap mixed with earth. The board is sand papered and recoated with a layer of hot sap. The board is then polished to lend a smooth black surface with a brilliant luster. Once the board is prepared, the painter begins to give expression to his imagination. He draws the outline and applies color one by one so as to let each coating dry slowly. Polishing and washing are the final steps of the procedure, which should be attended with great care. These add a brilliant shine to the surface of the painting. Years of experimentation have produced some great stuff where Vietnam artists have used such materials as plant ash, crushed eggshells, gold and silver to beautify their works.

Such patient and laborious work ought to be unique and this perhaps, is the reason for the growing popularity and demand of Vietnamese lacquer paintings today. Realistic themes depicted in so many works through each historical period, convincingly confirm the expressive, inexhaustible resources of lacquer art. Such Vietnam artists as Nguyen Sang, Nguyen Tu Nghiem, Le Quoc Loc, and Sy Ngoc have contributed greatly to enhance the value and prestige of Vietnam Art and painting, especially the lacquer tradition.

Suzanne Macguire is an Internet marketing professional with expertise in content development and technical writing in a variety of industries.

Vietnam Paintings

Surajkund Crafts Mela - 2009

Indian culture is rich and diverse and as a result unique in its own way. The fabric of one’s culture heavily influences the way of life and the very core of a person’s everyday living. Culture and tradition are more than just means of life and are in fact drivers of handicrafts and festivals. Haryana Tourism was one of the first government bodies to initiate a mass scale festival to not only popularize Indian handicrafts and cultural events but also give it a commercial angle. Since 1981 they have organizing cultural events on a national level by launching their annual and now internationally famous Surajkund Craft Mela.

The Surajkund Crafts is an annual event that highlights some of the finest handloom and handicraft traditions of the country. Starting from 1st to 15th February of every year rural India basks in the warmth of admiration at Surajkund Mela village that lies about 8km from South Delhi. It is a fortnight long event filled with events, festivities and thousands of people.

The mela is organized under the aegis of the Surajkund Mela authority. The 23rd edition of the annual Surajkund Crafts Mela showcasing rich craftsmanship from all over the country and abroad was inaugurated by President Pratibha Patil on 1st February, 2009.

The Mela also celebrates the rhythms of folk theatre and a theme state that makes each visitor marvel.

OBECTIVES

• Create a rural ambience for tourist, both domestic and international.

• To educate patrons about the fascinating technique and skills involved in craft creation.

• To introduce crafts and craftsperson’s directly to the buyers and help them to find their patrons.

• To Identify, nurture and preserve languishing crafts of the country and save it for posterity.

• Suraj Kund is a beautiful tourist location of Haryana Tourism and in its lovely setting, folk painters, metal workers, stone and wood carvers, tie dye craftsperson’s, embroiders, lace makers, textiles printers, carpet and loom weavers, producers of silk fabrics, jewelers and sculptors- execute and display their skills.

Madhya Pradesh, ‘The Heart of Incredible India’ chosen as the theme state

HIGHLIGHTS of the MELA

CUISINE

No festival is complete without a variety of cuisines and Suraj Kund is no different.. Some of the popular food traditions from Punjab come at the Punjabi 'Rasoi'. South Indian delicacies come in from South Indian Section. Popular Chinese and snack foods also arrive for the event along with a special stall where patrons are introduced to the traditional foods and sweet meats of the selected Theme State.

CULTURE

The Surajkund Crafts Mela has grown equally famous for the rhythms of folk theatre: It resonates with the formal notes of the classical genre: The heady rhythms of percussion instruments: The ballads of singing minstrels: The celebration of the simple joys of rural life and reverence of epic traditions all mingle well. All these colorful events are also presented before the audience in the open-air-theatre named Natyashala.

CRAFTS

Some of the most delightful crafts collections of the Mela arrive from practically all over the country. In wood and cane, come inlay work, rose wood carving, sandal wood from Punjab and South India. Chiki wood craft of Kashmir and some very fine cane craft come from West Bengal and North Eastern States. Delicate sholapith and shital patti work come from Assam and West Bengal. The phulkari of Punjab, the Banjara and Banni embroidery of Gujarat and Rajasthan, the Kantha traditions from West Bengal and Tripura, lace and crochet from Goa, the Suzni of Kashmir and Mirror encasing work along with the traditional chikan work of Lucknow delight. Oxidized jewellery, sea shell decorations and agate stone work delight as also do delicate gold work and chunky silver jewellery. Toys in wood and cane, ply and mud make the young thrill with joy.

A quick snap shot of this year’s Mela would be:

• Cane & Bamboo

• Embroidery

• Metalware

• Pottery

• Fashion Show based on Khajurao Theme- 7th Feb

• Performance by Egypt Troupe- 8th Feb

How to reach Surajkund:

Surajkund lies in the Faridabad district on the Delhi - Agra national highway. Surajkund is 8 kms from South Delhi. Special transport links the Mela ground to major bus stops in Delhi, Gurgaon and Faridabad towns.

The Mela begins from 9.30 a.m. and closes at 5.30 p.m. each evening from 1st to 15th February every year.

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