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Carve Bone Buddha

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Carve Bone Buddha
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Carve Bone Buddha

Handicraft is described as something made entirely by hand, without technological help. This has been done in India for at least 5000 years. Although some stone and bone weapons have been found that predate the oldest handicrafts, these are not considered handicrafts. India's history of arts and crafts is interesting, covering thousands of years and millions of square miles. Indian traditional handicrafts revolve around the needs of commoners, patrons, royalty, religious beliefs, and domestic and foreign trade.

The earliest proven archaeological discoveries of Indian handicrafts date back to the Indus Valley civilization circa 3000 B.C. At this time Indian craftsmen excelled in making jewelry, pottery, beads, terracotta, and weaving. This period represents a significant technical advancement in the field of handicrafts, as evidenced by excavations in Mohenjodaro, Lothal, Kotdigy, Dholaveera, Harappa, and others. Many artifacts have been found that reflect the burgeoning skill of the local craftsmen of the era.

The next significant advancement in handicrafts took place in the Vedic age, around 1500 to 700 BC. The Vedas excelled in weaving, wood crafting, and pottery making, and began using clay, wood, and metal in their handicrafts. Later in the Vedic period, a noteworthy development was the use of iron in weapons on a large scale. This is the period when crafts traditions became enmeshed in the culture and social structure.

Indian handicrafts came close to perfection during the Maurva period, highlighted by the advancement in stone crafts. This is the period of the great transformation of Ashoka to Buddhist reformism after hardcore imperialism, and craftsmen were now indulged in many activities. It is believed that at least 84,000 stupas were created under Ashoka, the most prominent of which can still be seen today at Vaishali, Amaravati, Bharhut, Sanchi, and Mathura. The iron pillars of Vaishali and Delhi are wonderful examples of metallurgy dating from the same period.

A period of assimilation of regional influence in Indian arts and crafts followed the Maurvan. This was a time of great political turmoil, India could not be ruled for long periods by a single dynasty. Invasions by Indo-Bactrians, Shakas, Indo-Greeks, and Kushanas turned the Indian political scene upside down. The handicrafts of this period were strongly influenced by these invasions of central Asians and others, as evidenced by Buddhist sculptures from this period found at Swat Valley, Bamiyan, Taxila, Begram, and other areas. A direct result of Greek influence at this time is the depiction of Buddha with curly hair, draped in flowing clothing. The Central Asian invasions had their greatest influence on the sculpture, leather products, metal works, jewelry, and textiles of the period.

The Gupta age, a period of efficient ruling, political stability, and consistent patronage of arts and crafts, has been called India's classical age. Some highlights of this time are significant advancement in both art and techniques of wood and stone carving, weaving, jewelry making, and sculpture, and includes beautiful murals of Aianta. Major advances were made at this time in art and literature, but science was also coming into its own, including mathematics, astronomy, physiology, and astrology. Sculptures of metal and stone from this period represent high quality standards. The temples of Ellora, cut from rock, represent the highest standard of stone craft in India known at the time.

Development in arts and crafts shifted to the southern peninsula of India during the Medieval period. Trade and commerce based on the handicrafts of local artisans was vigorously supported by the Chola and Vijaynagara empires. This period saw the use of intricate detail carved in temples, and great importance was given to gems and jewelry. This period saw the peak of silk weaving and bronze sculpture, while in northern India Delhi Sultanate allowed wood carving, metal works, jewelry, weaving, and pottery making to flourish. Arts and science reached new heights under the patronage of the Mughal empire, with the emphasis on architecture. Painting was the hallmark under the emperors Jahangir, Shahjahan, and Akbar, while Mughal paintings influenced other regions, such as Pahari, Boondi, Kota, and more. Weaving and metallurgy flourished at this time as well, with metal working reaching several milestones during the medieval period. Evidence exists of battles fought with guns and cannons technologically advanced for the era.

We can see from the archaeological evidence the evolution of arts and crafts among civilizations of the Indus valley from 3000 B.C. to the past few hundred years. The lifestyles of the various peoples inhabiting the area reflect the integral role played by craft traditions. Handicrafts in some cases came to identify groups of people, as the caste system limited use of certain crafts to groups of people. The people confined to a certain caste were responsible for much creativity and innovation in their specific handicrafts because they relied on them for their livelihood. This contributed significantly to the prosperity of handicrafts in India. It also led to the development of new techniques in order to find ways to please the patrons.

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Indian Handicrafts - The Historical Journey

First archaeologically proved traces of indian handicraft belong to the Indus Valley civilization way back in 3000 B.C. During this time Indian craftsmen were doing excellent job in pottery making, bead making, terracotta, jewelry and weaving. The most significant aspect is the technical advancement in the handicrafts field at this time. The archaeologists have excavated many sites like Harappa, Mohenjodaro, Lothal, Chanhudaro, Kotdigy, Dholaveera etc. and they have found numerous artifacts that manifest the skill of the craftsmen at that time.

In Vedic age (1500 B.C. to 700 B.C.) too a lot of advancement in handicrafts had taken place. There is reference of pottery making, weaving wood crafting etc in the Vedas. Rig Veda especially mentions about pottery made from clay, wood and metal. Weaving and weavers also find the reference in these holy texts. In the later Vedic period the principal development was the discovery of iron. This led to the manufacture of iron weapons on mass scale. Craftsmen got a huge exposure and the crafts traditions started to be entrenched in the social structure.

Indian gem stone jewelry reached to perfection in certain art forms especially in stone crafts. After the great transformation of Ashoka from a hardcore imperialist to Buddhist reformist, numerous activities indulging the craftsmen began. It is said that not less than 84000 stupas were build during the reign of Ashoka. Most prominent stupas whose remains are still available are located at Sanchi, Bharhut, Vaishali, Amaravati and Mathura. Similarly the iron pillars of Delhi and Vaishali are the marvelous examples of metallurgy.

In the period followed by the Mauryan, an assimilation of regional influence took place in Indian arts and crafts. Since this period in Indian history was that of political turmoil, not a single dynasty could rule over India for a long time. The attacks of Indo-Greeks, Indo-Bactrians, Shakas and Kushanas made Indian scene topsy-turvy. Handicrafts of this age have direct influences of these invasions from central Asia and other regions. Buddhist sculptures belonging to this age found at Taxila, Begram, Swat Valley, Bamiyan etc. depict these influences clearly. Buddha with curly hair and wrapped in draperies was the result of Greek influence. The main crafts which got maximum influence of the Central Asian invasions were jewelry, sculpture, textile making, leather products and the metal works.

Gupta age has been called classical age of Indian history by historians. The art and crafts domain was also greatly affected by the political stability, efficient ruling, capable administration and the consistent patronage of art and crafts. Fascinating murals of Ajanta and the significant development in the technique and art of sculpture, jewelry making, wood carving stone carving and weaving were the highpoints of this age. Development in science, astrology, astronomy, mathematics, literature and physiology were the other greatest achievements of this time. Stone sculpture and metal sculpture were made maintaining the high standards. The rock cut temples of Ellora are the astonishing examples of stone craft. This structure raises the standard of Indian Crafts to the towering heights.

During Medieval period the onus of development in arts and crafts had been shifted to the southern peninsula of Indian subcontinent. The Chola Empire and Vijaynagara empire wholeheartedly supported the trade and commerce based on the art and crafts of the local artisans. The temples with numerous intricate details were carved. Gems and jewelry was given immense importance. Bronze sculpture and silk weaving craft reached at its zenith. In the Northern region of India, under Delhi Sultanate, the art of pottery making, weaving, wood carving, metal works and jewelry was also flourishing. Under the patronage of Mughal Empire, the art and science of architecture reached to the starry heights. Painting saw its zenith under the emperors Akbar, Jahangir and Shahjahan. School of Mughal paintings influenced other regional painting schools too like Pahari School of Painting, Rajput School of Painting, Kota School of Painting, Boondi School of Painting etc. The art of weaving also flourished during these times. Metallurgy covered several milestones during medieval period and several battles were fought using highly advanced technology in the guns and canons by the standard of that time.

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Thus since Indus valley civilization to the 18th century A.D., Indian Handicrafts evolved to high levels of the perfection and skill. Craft traditions became an integral part of the lifestyle of the people of India. Some handicrafts became the identity of the people as the caste system in India reserved some handicrafts to certain castes. The people of these castes worked hard to put the innovation and creativity in to the handicrafts as this was the only means for their sustenance.

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