Blue Silk Kimono

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Blue Silk Kimono
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As long as women have been leaving their homes, they have found many ways to carry personal belongings with them. From the women who carried baskets on their heads to the women with animal skin pouches tied around their waist, there has always been something that has to be taken along. Modern women have found handbags to be the most convenient way to organize and carry essential personal items. Of course, these women want their bags to look good and make a personal statement about them. Designers have realized that fashion and function are the very fundamentals of a good bag.

There are hundreds of retail stores throughout the world that offer great handbags. You can also look to the Internet when you are searching for the handbag of your dreams.

Some of the handbags now available are:

Nevora Functional Ladies Handbags

The Scarlet Organizer is a bag designed for the business woman. It is large enough for a laptop and other personal items. There is a zippered top and when opened reveals a lime green interior. Chrome feet accent the bottom to protect it from regular wear. This functional and stylish handbag can be found for $260.00.

The Mocha Sling

The Mocha Sling is a good match with other totes. It is small enough to fit into the Scarlet Organizer. The zippered top also reveals a lime green interior. This bag sells for $68.00

Jazz Bold Ladies Handbags

The Green South Coast is a light avocado bag accented with lime green. It has orange leatherette and chrome studs. The front is decorated with embroidered flowers to add to its charm. This bag is usually offered at $55.00.

Brown City Lights is made from a cool brown ultra suede material. It is decorated with chrome studs and clear crystals. There are buckles used to shorten or lengthen the handles for the convenience of the customer. It is available for $66.00.

Loredana Kimono Ladies Handbags

Purple Floral Pouch has panels on the front and back showing a vintage silk kimono style fabric on a velvet background. The panels are painted with flowers that are rose, gray, and emerald. There is burgundy trim along the seams, and a 40 inch shoulder cord. The bag measures about 9.5 by 6.5 inches. It retails at $190.00

Blue Tones Clutch is more sophisticated, the front is a deep royal blue and black with silver flecks. While the back, has a sea foam pattern in blue, gray, brick, and orange to match a variety of different outfits. This bag is usually sold for $270.00.

Glenda Gies Ladies Handbags

Jackie in White Tweed is pieced together with a black patent leather trim. Chrome legs protect the bottom. The interior is lined with polka dots. It also has a tiny zippered pocket. This bag sells for around $260.00.

Violet in Blue Chenille is made from a floral motif with a diamond tufted outline above an antique gold milieu. The handle can be long or short. It also has plenty of compartments for organizing personal items. This bag is sold for $280.00.

These are just a sampling of the enormous diversity of choices available online.

Gregg Hall is an author living in Navarre Florida. Find more about this as well as Cheap Designer Handbags at http://www.newdesignerhandbags.com

Milan Fashion Week Revels in the Detail

Just when you think Christopher Bailey has done everything that can possibly be done with a beanie, a trench-coat and a loosely fitted dress, he makes you fall in love with them all over again.

customized">http://www.himfr.com/buy-customized_shirt/">customized shirtA couple of mitigating points. First, he tweaked his beloved style props slightly. The beanie is now a brimmed cloche, the shift dress is in gauzy, dip-dyed chiffon.

Secondly, he does what he does very well. When a model mooches wistfully down that catwalk in a sweetly subdued grey, gently flared coat, her sandy coloured chiffon dress fluttering slightly, her chunky wooden jewellery (this is a brand steadily evolving its accessories) nicely underplayed by her dun-coloured ankle socks, for a moment this almost looks like the fashion equivalent of cinéma vérité.

But the high-waisted tulip skirts and skinny long cardigans have been pre-crumpled, the muddy hems on those coats are an expensive trompe l'oeil, courtesy of state-of-the-art dyeing techniques.

So where next? Having successfully reconfigured Burberry for the über-luxury market, Bailey's personal preference for understatement sometimes seems to battle with the imperative to produce high-end luxe for the flash set. What we get is a charcoal snakeskin trench with a washed, lived-in feel that's embellished with metalwork and will cost a fortune: beautiful, but will muted bling prove too much of an oxymoron for Burberry's customers?

Searching for grittiness or even the remotest connection with reality on the catwalks of Milan is a bit like looking for sophisticated banter among the Harry and Wills set - unfair, because it's just not what they do. While Italy's designers privately express disquiet at current financial turbulence, there's little sense of sobriety in the shows, unless you count the sighting of some exotic skins dyed a depressing colour.

Combat pants did put in an appearance at Alberta Ferretti, but they were lined with satin and worn with rose appliquéd tops and chiffon wraps. The cocktail set will always need something to wear, and this is where they come for sweet and refined prettiness as opposed to the more direct T-and-A approach of Roberto Cavalli.

Ferretti loves chiffon and silks and glowing sweeps of purple, forget-me-not and petrol blue, oyster, burnt orange and raspberry sorbet. When she's at the top of her game - as she was for part of this collection - she makes poetic and lovely eveningwear, slicing chiffon into flyaway ribbons, twirling it into huge, lacy roses or pleating and gathering it into Fortuny-inspired lantern dresses.

Sometimes her very skilled workrooms seemed to get carried away into a land where nothing is too much trouble: a pleat, a rose, a spot of ruching, a fringe... But when it was kept under control - a grey satin bias-cut maxi skirt with a simple ruffle rippling up the back seam, a backless silk chiffon long dress twisted at the front, or those rose appliquéd tops with slim trousers - it came together beautifully.

If London is the capital of conceptual, wacky invention then Milan is the filter through which next season's trends spring forth. Luckily for Moschino, its offbeat aesthetic means it has had more practice than most in redefining the ruffle and flounce that has been spotted on every catwalk this week.

While most of Milan has spent the past few years getting to grips with bondage-style dressing and mean, lean warrior machines, this is a label that has never been afraid to adhere to its signature detailing. And finally it has come into its own.

Swishy swing coats in monochrome with exaggerated bows were a strikingly confident opening statement. And the clothes only got louder. Next up were bright emerald, raspberry and cornflower blue drop-waist dresses featuring tiers of frills, and slim-fitting coats that were worn either as eye-popping colour clashes or left to stand alone as bold colour blocks - all the better for elongating the body.

Those seeking a neutral palette (stone, mushroom and black) were equally well catered for. The taupe, techno-fabric trench coat with its ruffled epaulettes succeeded in being quirky and yet still commercial. And which woman doesn't appreciate the forgiving cut of 1950s couture-ish shaped tops, skirts and cocktail dresses?
Overall, this collection was pretty and feminine. But certainly not for wallflowers. CA

If London is the capital of conceptual, wacky invention then Milan is the filter through which next season's trends spring forth. Luckily for Moschino, its offbeat aesthetic means it has had more practice than most in redefining the ruffle and flounce that has been spotted on every catwalk this week.

While most of Milan has spent the past few years getting to grips with bondage-style dressing and mean, lean warrior machines, this is a label that has never been afraid to adhere to its signature detailing. And finally it has come into its own.

Swishy swing coats in monochrome with exaggerated bows were a strikingly confident opening statement. And the clothes only got louder. Next up were bright emerald, raspberry and cornflower blue drop-waist dresses featuring tiers of frills, and slim-fitting coats that were worn either as eye-popping colour clashes or left to stand alone as bold colour blocks - all the better for elongating the body.

Those seeking a neutral palette (stone, mushroom and black) were equally well catered for. The taupe, techno-fabric trench coat with its ruffled epaulettes succeeded in being quirky and yet still commercial. And which woman doesn't appreciate the forgiving cut of 1950s couture-ish shaped tops, skirts and cocktail dresses?
Overall, this collection was pretty and feminine. But certainly not for wallflowers. CA

Raf Simons, creative director at Jil Sander, knows how to put on a seductive show, that's for sure. He even knows how to make fringing (rapidly emerging as a spring trend) look chic - no mean feat.

Still, for rigorous minimalism with a 2008 slant, he's the man. That means ruthlessly pared-down jackets, some cut away high over the shoulderblades at the back and worn - let's assume this was for dramatic purposes only - over ribbed wool catsuits, others with graceful asymmetric hems grazing short skirts or shorts. It means variations on the sleeveless shift dress, some in pearly white leather, most gently egg-shaped, some with a curtain of shiny fringing spiralling from the nape at the front to the hem at the back - a sophisticated alternative to the jewelled embellishment so common on Italian eveningwear. It means kimono-inspired wrap coats, unadorned apart from the slits beneath the arm holes. And it means a colour palette borrowed from uniforms: black, midnight, dark wine.

Problem is, it's unlikely that much of what made this a dramatic show - the bold cut-outs and fringed panels - will ever hit stores. We'll be left with a return to the skirt suit (at Sander at least) and more shift dresses, albeit superior ones.

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What do you think of this outfit?

Top: http://cgi.ebay.com/DKNY-BLACK-KNITTED-SILK-KIMONO-STYLE-TOP-SZ-L-/260660757129?pt=US_CSA_WC_Shirts_Tops&hash=item3cb0978289

Bottoms: http://www.hottopic.com/hottopic/Apparel/Bottoms/Denim/Blue-Rinse-Flap-Pocket-And-Crease-Skinny-Jeans-236051.jsp

and shoes: http://shop.huskers.com/COLLEGE_Nebraska_Cornhuskers/Nebraska_Cornhuskers_Ladies_Tan_Team_Logo_Boots

Here's what im worried about... Does the top and pants go together? and do the top and boots match?
Thanksss (:

It's alright, very casual. Looks like every other outfit you see on the streets. If your having a lazy day or mall day and don't want to wear sweats, then that's a good outfit, but you should accessorize if you want to make it funner. And to answer your question, the jeans, boots and shoes do match... everyone does that:)

'Project Runway' Season 8, Episode 9 Recap
Spoiler Alert! First Aired September 23, 2010. “Race to the Finish.” Special Guest Naeem Khan Marjorie Quinn Although it was sad Michael Drummond was voted off last episode, I am quite happy there is one less Michael to write about. In the living quarters, Mondo and Christopher have to move in with Michael C. and Andy.

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